posted on 2020-06-29, 15:46authored byKenneth Oravetz
This presentation seeks to posit possible futures of the comics codex
and the study of comics materiality by adapting frameworks from critical
bibliography and artists’ books scholarship. Prior work on comics materiality,
including Aaron Kashtan’s 2018 Between Pen and Pixel, has posited that comics
which explore the material dynamics of the codex have emerged in response to a
perceived competition with the digital. I argue instead that, rather than being
motivated by a digital “crisis,” material experimentation should be read in
terms of the pursuit of new expressive possibilities in the codex and comics
format. I explore comics from current small press movements with this mindset
by applying and adjusting frameworks from artist’s book scholars, as artists’
books and comics alike draw attention to the unique material dynamics of the
codex through their self-conscious design. Through my material approach, I
advocate for closer attention to comics materiality and for bringing
avant-garde small press works closer into the comics studies fold, as they
suggest unique and valuable potentialities of print experience-making,
representation, and expression. In doing so, these sorts of texts posit the
potential future role and value of both the print comic and the codex book.
History
Biography
Kenneth Oravetz is a Ph.D. Student at Northeastern University. Kenneth’s research focuses on contemporary image-text form, format, and aesthetics. In particular, his work focuses on how emerging art comics movements help elucidate new approaches to theorizing print formats in the digital era. His research interests extend to comics remediation, comics and representation, graphics and affect, bibliographic cultures and practice, and the digital humanities. He is the founder of the Northeastern Comics Group.