<p><b>Cutting Dollfuss Up To Size: Political Cartooning and the Rise of
Austro-Fascism<i></i></b></p><p><b><br></b></p>
<p>Between the
World Wars, Vienna’s newspapers stretched across the political spectrum; many
regularly contained biting political cartoons. By the early 1930s, such
cartoons focussed on Dr. Engelbert Dollfuss, who quickly rose within the
conservative Christian Social Party to the Chancellorship in May 1932. Left-wing
papers were particularly critical of Dollfuss, whose conservative-nationalist-fascist
coalition had such a razor-thin majority that he was increasingly forced to
work against parliament in order to enforce austerity measures to cope with the
Depression. Because Dollfuss stood less than five feet tall, it was common to
caricature him as a tiny, infantilized incompetent.</p>
<p>The
situation changed in March 1933, however, when Dollfuss found an excuse to
sideline parliament and rule by decree; and even more following the four-day
civil war of February 1934, when he abolished political parties and established
a dictatorship. Those papers that were not closed down or nationalized came to
terms, and portrayals of Dollfuss became more positive: now he became first an
adult-sized champion of social justice against German Nazism, and then an
assassinated martyr for the Austrian cause. The developments in the depiction
of Dollfuss echo the contemporary increasing constraints on democracy and the
propagandization of the media in the last years of the republic.</p>
History
Biography
Paul M. Malone (pmalone@uwaterloo.ca) is Associate Professor of German in the Department of Germanic and Slavic Studies at the University of Waterloo, Canada. He is the author of Franz Kafka’s The Trial: Four Stage Adaptations (Peter Lang, 2003), and has also published on performance theory; Faustian rock musicals; German theatre and film; and on German-language comics, from advertising periodicals to superhero comics and manga, from the 1920s to the present.