posted on 2020-06-29, 09:15authored byStephan Packard
02/07/2020 15:00 Room 1 #traprn
Mainstream comics strive towards images of transnationality in various
ways: by addressing international markets and audiences, by including
transnationally diverse creators, and by depicting transnational settings and
dramatis personae on their pages. As the latter are typically fictional, this
practice usually includes the necessary invention
of the transnational other – a freedom of imagination that might, however,
similarly apply to the projected images of producers and audiences. As
contradictions between different conceptions and material practices of
transnationality arise, an ideological element of fiction may be traced that is
situated beyond the naïve questions of confusing the fictional and the real,
and that instead operates by confounding the social imaginary with
possibilities of political agency. The talk will trace some examples of these
contradictions through their aesthetic and stylistic consequences on the page
and back to a reflection of the imagined transnational comic book marketplace.
History
Biography
Stephan Packard is Professor for Popular Culture and Its Theories at Cologne University. Research interests include semiotics; comics studies; censorship and other forms of media control; transmediality; narratology; as well as concepts of fiction and virtuality. He is President of the German Society for Comics Studies (ComFor) and co-editor of the journal Medienobservationen. – Anatomie des Comics. Psychosemiotische Medienanalyse (Göttingen 2006); Abschied von 9/11 (ed. with Hennigfeld, Berlin 2013); Thinking – Resisting – Reading the Political (Berlin 2013, ed. with Esch-van Kan/Schulte); Comics & Politics (Berlin 2014, ed.); Charlie Hebdo: Nicht nur am 7. Januar 2015! (2018, ed. with Wilde); Comicanalyse. Eine Einführung (2019, with Rauscher, Sina, Thon, Wilde, Wildfeuer).