Version 2 2020-06-29, 13:01Version 2 2020-06-29, 13:01
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presentation
posted on 2020-06-29, 13:01authored byGolnar Nabizadeh
<p>Crises of varying magnitudes punctuate our everyday lives, most
recently exemplified by the ongoing COVID-19 pandemic, but also evident
in the impact of the Anthropocene on the environment, mass human
displacements, human rights abuses, economic inequity and collapse,
among other disasters. The arts, including comics, represent,
reconfigure, imagine, and understand the potential impact of crises on
individuals, communities, and the broader socio-political landscape.
Comics have proven to be a highly fertile and productive medium for
exploring crisis and trauma in the way that they externalise these
issues through their form and function. The combination of image and
text supports creative and exploratory responses to physical and mental
health issues (Squier & Marks 2014; Williams 2012). The social
impact of drawing as a form of art therapy has been widely documented
(Hardy 2013), as has the use of comics as art therapy (Mulholland 2004;
Williams 2011), in play therapy (Rubin et al 2006) as well as in zines
(Houpt et al 2016). This presentation analyses the role of praxis in
relation to crises of personal loss and bereavement through a case study
entitled ‘Developing confident life stories about child bereavement:
normalising and supporting bereavement experiences through storytelling
and comics’. A joint research project between the Universities of Dundee
and Strathclyde and conducted between 2018 – 2019, this initiative used
an original, iterative methodology to communicate the impact of
bereavement on young people aged 12–18 years, working with groups of
young people to construct and represent their insights on bereavement in
comics. The project was designed to investigate the claim that creating
and reading comics helps generate confident life stories, and that the
latter is a key component in building resilience (Bosticco &
Thompson 2005). The primary project output – an original comic – was
powerful, and the discussion will highlight its content and impact. </p>
Dr Golnar Nabizadeh is Lecturer in Comics Studies at the University of Dundee where she teaches on the Masters in Comics & Graphic Novels, as well as undergraduate modules on film and literature. Her research interests are graphic justice, critical theory, trauma and memory studies. She has published on the work of Alison Bechdel, Marjane Satrapi, Shaun Tan, and the Australian online comic “At Work in Our Detention Centres: A Guard’s Story”, among others. Her monograph, entitled Representation and Memory in Graphic Novels (2019) is available from Routledge .She has worked on several educational and public information comics projects, notably 'Archives and Memory' (2018) and 'When People Die: Stories from Young People' (2019).